Clara Miranda Scherffig

Pleasure


This summer I got to work on Roy Andersson’s latest film About Endlessness and on Rubaiyat Hossain’s Made in Bangladesh, respectively via Coproduction Office and the Torino Film Lab.
The former won Best Director in Venice, the latter premiered at TIFF’s Discovery - and all the while I was covering both festivals 🤩
For IL del Sole 24 Ore I wrote about the ancestors of fake news in Polanski’s J'accuse and Benedict Andrews’ Seberg, profiled Vincent Lacoste, praised Claudio Caligari’s legacy via a new doc about his work, and interviewed hero Alexander Nanau about his masterpiece Colectiv.
I also helped with the thorough coverage of TIFF by Cinema Scope, reviewing Noah Baumbach’s Marriage Story, Pablo Larraín’s Ema, Carlo Sironi’s Sole, Olivier Assayas’ Wasp Network and counting…